Thyrae
Ranger
Thyrae
Species
Human
Appearance
Thyrae is a compact, weather-hardened woman with the balanced posture of someone who has spent half her life walking uneven ground. Her hair is a startling, true red, not copper or auburn, and she wears it in two long braids bound with dull green thread. The braids swing like weighted ropes when she turns quickly. Her face is narrow and sun-browned, with a small notch through her left eyebrow and a pale crescent scar under her chin. Her hands are broad across the knuckles, stained permanently by bow wax, pine resin, and iron oil. She moves with little apparent effort, placing each foot as though the ground has already told her where it wants to be. Unexpectedly, she has an almost delicate habit of smoothing wrinkled cloth and arranging objects into neat lines, even beside a muddy road or during a tense negotiation. She leaves people with the impression of a banked fire: quiet, useful, and dangerous to mishandle.
“Measured and low, with a dry edge that appears when she is tired or amused. She rarely raises her voice.”
Ability Scores
Alignment
Distinguishing Features
Two vivid red braids nearly reach her hips.
A notch through the left eyebrow and a pale scar beneath the chin.
A ranger company map tattooed in faded blue ink along the inside of her left wrist.
A habit of smelling rain on her glove before announcing that weather is changing.
Her blades are mismatched, one broad and plain, the other narrow with a chipped brass guard.
Voice
“A low, steady contralto with a faint roughness from years of cold air and roadside dust. She sounds most reassuring when giving instructions and most dangerous when she becomes polite.”
Clothing
A weatherproof brown-green cloak over a quilted leather coat, close-fitting dark trousers, soft-soled patrol boots, fingerless gloves, and a red wool sash used to bind wounds or mark a safe trail. Her clothing is patched carefully rather than replaced, and every buckle has been dulled to prevent glints in the woods.
Body Language
Thyrae stands squarely but never rigidly, often keeping one shoulder angled toward the nearest exit. She touches the end of one braid when thinking, lowers her chin when judging whether someone is lying, and rests two fingers lightly on a table when asking for silence. In danger, she becomes almost motionless except for her eyes.
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