Kharra Nadin
Commoner
Kharra Nadin
Species
Goblin
Appearance
Kharra is a four-foot-tall goblin woman with a compact, strikingly curvaceous figure that seems almost too substantial for her narrow frame. Her waist is slim, her hips and thighs powerfully built, and her movements have the careful balance of someone accustomed to slipping through cracks, rafters, and thorn hedges. Her face is heart-shaped, with soft cheeks, a small blunt nose, protruding lower fangs, and enormous violet eyes that make even hostile humans hesitate. Her beauty is unusual rather than polished, combining delicate features with a battered, feral presence. One unexpected detail is the gentleness of her hands: they are broad-palmed and scarred from work, yet she handles injured animals with the precision of a midwife. She leaves an impression of vivid color, watchfulness, and tightly contained motion, as though she might either offer tea or vanish through a keyhole.
“Her voice is low, husky, and surprisingly musical, with rounded vowels and a soft cadence. She speaks Common carefully, occasionally using Goblin words for hunger, kinship, and danger when emotion overwhelms translation.”
Ability Scores
Alignment
Distinguishing Features
Large violet eyes with faint silver flecks near the pupils
Two lower fangs that protrude over her lip when she smiles
A pale scar circling her left wrist from an old ceremonial restraint
A tiny brass bell sewn inside her shawl, which never rings unless she is running
A copper-colored birthmark beneath her right ear shaped like a crescent seed
Voice
“A low, warm contralto with a rasp at the edges, gentle enough to invite confidence and sharp enough to stop an argument.”
Clothing
A tattered charcoal loincloth layered over patched linen wraps, and a much-too-small, frayed leather-and-cloth chest binding reinforced with strips of old sailcloth. She wears a weather-stained shawl when traveling, fingerless gloves, mismatched stockings, and a belt made from braided bootlaces. Her clothing is deliberately practical despite its poor condition, with hidden pockets sewn into nearly every seam.
Body Language
Kharra keeps her shoulders slightly rounded and her chin tucked, making herself appear smaller until she decides to be heard. Her eyes move constantly, but her hands remain still when she is lying. When angry, she smooths the edge of her ragged garment with meticulous care. When relieved, she leans against nearby furniture as if her bones have suddenly become too heavy to hold upright.
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