Eldan Pell
Scholar and funeral-rite attendant
Eldan Pell
Species
Human
Appearance
Eldan Pell is a narrow, weathered man whose presence feels larger than his body because he habitually arranges the space around him. He stands too close when listening, leans over documents until his sleeves brush the table, and moves with the careful sideways economy of someone accustomed to working beside coffins. His hands are the first thing people notice: broad-knuckled, ink-stained, and permanently roughened by lye, sealing wax, grave soil, and years of turning stiff pages. His fingernails are kept obsessively short, yet faint violet ink has settled into the creases of his thumbs. His face is plain and deeply lined, with a soft, almost apologetic mouth that contrasts with his hard, measuring stare. He smells faintly of rosemary, lamp smoke, and old paper. The unexpected contradiction is his gentleness with dead bodies and his startling impatience with the living. He handles a corpse as if comforting a frightened child, then interrupts a grieving official to correct a date by one day.
“Low, dry, and measured. He speaks as if dictating to someone who may later challenge every word.”
Ability Scores
Alignment
Distinguishing Features
Ink permanently darkens the creases of his thumbs and forefingers.
He carries a small brass mortuary bell whose clapper has been removed.
His left sleeve is always rolled one fold higher than his right.
He stands close enough that strangers can feel the warmth of his breath when he reads over their shoulder.
His hands are unusually tender and practiced around the dead, despite their rough, labor-worn texture.
Voice
“A dry baritone with a faint rasp, never loud unless someone is mishandling a body or burning a document.”
Clothing
A charcoal wool coat with a high collar, patched at the elbows with dark blue cloth; a smoke-stained linen shirt; brown trousers tucked into soft leather boots; a narrow mourning sash worn despite no confirmed family death; and a brass chain holding keys, a seal, and a tiny bone-handled awl. His cuffs are always clean at first glance, though their inner edges carry old wax and grave dust.
Body Language
He folds himself over tables and corpses alike, making himself seem smaller while occupying an inconvenient amount of practical space. During arguments, he taps two fingers against his ledger in the rhythm of a funeral bell. When he believes someone is lying, he does not stare at them. He looks at their hands.
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