Mina Hareth
Fighter
Mina Hareth
Species
Human
Appearance
Mina Hareth is a slim young woman with the compact, well-muscled arms of someone who has hauled rope, crates, and wounded people long before she learned formal swordplay. Her warm olive skin carries a dusting of golden freckles over the bridge of her nose, shoulders, and knuckles. Her soft-cheeked, almost cherubic face gives a misleading impression of gentleness until her deep hazel eyes settle on an exit or a threat. Amber flecks flare in those eyes under warm light. Her jaw-length dark brown hair is cut unevenly, with one side tucked behind her ear and the other constantly falling into her mouth. She stands fully upright but leans subtly forward, as if the next room is always calling her. Her movements are quiet and economical, with her weight favoring the balls of her feet. The unexpected contradiction is her hands: broad-palmed, callused, and visibly stronger than her delicate face suggests, yet she handles small objects with a near fastidious tenderness. People tend to remember that she looks like a patient village saint and moves like someone already halfway through an escape.
“Low, clear, and work-worn, with a slight rasp from years of dust and shouted road signals. She speaks at an even pace, rarely raising her volume.”
Ability Scores
Alignment
Distinguishing Features
A soft-cheeked, cherubic face paired with fierce, patient hazel eyes flecked with amber.
Golden freckles scattered across her nose, shoulders, and knuckles.
Uneven jaw-length dark brown hair, with one side constantly falling across her mouth.
A visible patch of faded gold cloth sewn into her wine-red sash.
An unusually forward-leaning stance that makes her seem ready to leave even while standing still.
Voice
“A low, steady contralto with a dry edge, like rope pulled over a wooden cleat. Her accent carries faint river-trade influences, with old work songs softened into ordinary speech.”
Clothing
A close-fitted chain shirt leaves both arms exposed above the biceps. She wears dark high-waisted trousers tucked into soft boots, a wine-red sash wrapped twice around her waist, and a worn charcoal half-cloak covering both shoulders. The chain has been carefully oiled but contains links of three slightly different metals, repaired one at a time over the years. Her right boot is newer than the left, and the sash is patched with a square of faded gold cloth that she refuses to replace.
Body Language
Mina stands straight and forward-facing, but keeps one foot slightly ahead as if prepared to move. Her shield hand remains close to her ribs, while her sword hand hovers near the concealed sheath without gripping it. She rarely fidgets except with the wine-red sash, which she tightens whenever someone lies. When listening, she tilts her head toward the nearest exit rather than toward the speaker.
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