Milo Cross
Rogue 7, Scout / Bard 3, College of Whispers
Milo Cross
Species
Human
Appearance
A young, unassuming human man with dust-streaked brown hair that seems permanently flattened on one side, as if he sleeps against a wall. His posture habitually collapses inward, shoulders rounded and knees slightly bent, projecting the exhausted harmlessness of a clerk who has lost the correct form three times. His hands never quite stop moving. One thumb worries a strand of smooth wooden prayer beads wrapped around his wrist, while the other fingers test pockets, seams, and buttons as if counting exits. His skin bears the dull dryness of long travel, but his fingernails are meticulously clean. His face is narrow, forgettable, and subtly asymmetrical, with a small scar tucked beneath his left ear. He moves with a dragging, uncertain shuffle in public, yet becomes startlingly silent and precise when he believes no one is watching. The contradictory impression is of a nervous, poorly fed messenger who somehow occupies every room as if he had already memorized it.
“Soft, hurried, and apologetic in his public persona, with frequent corrections and nervous little laughs. When speaking in cipher or issuing an emergency command, his voice becomes low, measured, and startlingly authoritative.”
Ability Scores
Alignment
Distinguishing Features
A small crescent scar beneath the left ear.
A prayer-bead bracelet with hollow wooden beads containing cipher slips.
A habit of looking at door hinges rather than doorways.
A pale ink stain on the right thumb that never fully washes away.
A perfectly memorized but deliberately incorrect name for every tavern he visits.
Voice
“A light, breathy tenor that sounds perpetually out of breath, with sudden stretches of crisp command when his disguise fails.”
Clothing
A faded brown travel coat with frayed cuffs, patched trousers, soft-soled shoes, a stained scarf, and a shapeless hood. Every garment is reversible or subtly altered. The prayer beads around his wrist contain hollow compartments for cipher slips, lock picks, powdered pigments, and one sliver of black glass.
Body Language
In public, Milo hunches, fidgets, rubs his beads, and repeatedly checks whether he has misplaced something. Under threat, the performance falls away. His spine straightens, his head tilts slightly, and his eyes begin tracking hands instead of faces. When lying to someone he cares about, he becomes unusually still.
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