Miska Senn
Rogue, Assassin
Miska Senn
Species
Harengon
Appearance
Miska is a small rabbit person with long ears, narrow shoulders, and the compact, spring-loaded balance of someone who expects every floorboard to betray her. Her fur is soft around the cheeks but roughened along the forearms by years of climbing stone, rope, and brick. One ear bends permanently at the tip, while the other swivels constantly toward footsteps, dripping water, and whispered names. She moves in quick, economical bursts, then becomes utterly still, as if someone has pinched the world between two fingers. Her face looks almost gentle until she smiles, revealing a chipped front tooth and an expression far too calm for the knife already in her hand. The unexpected thing about her is her hands, broad-palmed and scarred like a dockworker's, despite the delicate precision of her work.
“Her voice is low, quick, and slightly hoarse, with clipped consonants and occasional Levantine warmth in her vowels. She speaks like someone used to being overheard, keeping sentences short until she decides a listener is safe.”
Ability Scores
Alignment
Distinguishing Features
One ear is permanently bent at the tip.
A chipped front tooth shows whenever she smiles.
Her left forearm bears a faded white brand in the shape of an open ledger.
She smells faintly of clove oil, rain, and old iron.
A thin scar runs across the bridge of her nose from a training blade.
Voice
“Quiet and gravelly, with a dry humor that flickers beneath every sentence. When frightened, her voice becomes soft enough to make people lean closer.”
Clothing
A patched charcoal coat cut short at the knees, layered over a sleeveless leather jerkin, wrapped trousers, soft split-soled boots, and a faded red scarf once belonging to her first victim. Her gear is repaired with mismatched thread, brass wire, and careful knots.
Body Language
Miska keeps her weight on the balls of her feet, one heel lifted slightly as if ready to spring. Her ears betray emotions her face conceals. She touches the chipped tooth when lying, folds her hands when frightened, and leans close only when she intends to make someone feel watched.
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