Qasim ibn-Zayd
Master Ashwright Saboteur
Qasim ibn-Zayd
Species
Human
Appearance
Qasim cuts an intense, soot-stained figure whose skin is rugged with charcoal-dark patches, old chemical burns, and tiny embedded flecks of brass. His shaved head is mapped with pale flash-burn scars, while his sharp amber eyes dart constantly toward hinges, vents, cables, and weak points. He moves with the compact, forward-leaning posture of someone always braced against an explosion, walking in abrupt starts and stops as though his body is keeping time with an invisible machine. His heavy demolition harness creaks with every step and smells of hot metal, vinegar, lamp oil, and singed wool. The unexpected softness is in his hands: despite their scars and calluses, Qasim has the careful touch of a watchmaker and can thread a needle, repair a music box, or tie a child's broken shoe with astonishing delicacy.
“His voice is low, rapid, and rasped by years of smoke inhalation. He speaks with clipped precision when giving instructions, but becomes lyrical and unexpectedly philosophical when discussing machines, workers, or the open sky.”
Ability Scores
Alignment
Distinguishing Features
A shaved scalp crossed by old flash-burn scars.
Amber eyes with black soot permanently settled into the lower eyelid creases.
A left index finger replaced at the second joint with a brass articulated prosthetic.
A crescent-shaped burn under his chin that glows faintly red when he is near unstable alchemical compounds.
A habit of wearing one child's blue glass marble on a cord beneath his collar.
Voice
“A dry, rasping baritone with the cadence of a foreman giving orders over machinery”
Clothing
A layered demolition harness of scorched canvas, overlapping leather plates, and riveted brass fittings. He wears a charcoal-gray work coat cut short for climbing, reinforced trousers, ashproof gloves, knee wraps, brass-rimmed protective goggles, and a red thread tied around his left wrist in memory of fallen workers.
Body Language
Qasim leans toward people as if listening for a hidden mechanism inside them. His fingers tap repeating rhythms against metal surfaces, his head tilts toward distant machinery, and he rarely stands with his back to a wall. When confronted emotionally, he removes and cleans his goggles with exaggerated care.
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