Kazmir
Fighter 11, Battle Master
Kazmir
Species
Half-Dragon, Bronze Draconic Ancestry
Appearance
Kazmir is a broad-shouldered bronze half-dragon whose salt-stained scales have dulled to the colour of old ship bells. Verdigris gathers along the ridges of his neck and spine, where sea spray has eaten into the metal rings of his harness. He moves with the measured balance of someone perpetually standing on a pitching deck, never quite still, never visibly hurried. A battered brass spyglass hangs at his left hip, its leather grip polished smooth where his thumb has worried it for years. The unexpected softness in him is visible when he handles drowned belongings, he cradles them carefully, with the patience of a gravedigger sorting the dead. In any room, his eyes go first to the ceiling beams, winch points, exits, and the hands of anyone near a coil of rope.
“A low, rasping baritone with clipped phrasing. He sounds like gravel dragged beneath shallow surf, but his voice becomes unexpectedly soft when naming the dead.”
Ability Scores
Alignment
Distinguishing Features
A battered brass spyglass is always within reach, with one thumb-worn groove cutting through its leather grip.
His spinal ridges carry a permanent green tint where salt and oxidized metal dust have stained the scales.
He smells faintly of brine, lamp oil, and hot iron.
He watches hands and overhead structures before faces.
His exhalation sometimes crackles with a soft static hiss when he is frightened or furious.
Voice
“A low, rasping baritone with clipped phrasing. He sounds like gravel dragged beneath shallow surf, but his voice becomes unexpectedly soft when naming the dead.”
Clothing
A heavy leather diving harness worn over mended chainmail, reinforced with brass buckles and strips of boiled hide. His trousers are tucked into salt-stiffened boots, and a red cord around his wrist marks the crews lost under his command.
Body Language
Kazmir keeps one hand near his gaff hook and plants his feet as though the floor might roll beneath him. He tilts his head toward distant sounds, taps brass fittings with one claw when thinking, and lowers his shoulders only around children or exhausted sailors.
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