Nani Koba
Commoner
Nani Koba
Species
Lightfoot Halfling
Appearance
Nani is a compact lightfoot halfling with an olive complexion, black hair, and clear blue eyes that seem too bright for someone who spends every morning before dawn beside a coal oven. Her hair is thick, slightly wavy, and usually tied in a practical knot with a strip of faded red cloth, though loose strands cling to her temples in the heat. Her hands are broad, flour-softened, and heavily callused across the palms, with tiny burn-speckles along the wrists and nails permanently darkened by soot. She stands with one heel lifted, as if ready to dart behind a counter, and when waiting she rocks subtly from toe to toe instead of settling her weight. Her clothes smell of yeast, orange peel, smoke, and rain. The unexpected thing about her is her stillness when angry: the more furious she becomes, the more gently she folds her apron.
“Nani speaks quickly, warmly, and with a faint caravan cadence. Her consonants are crisp, her vowels broad, and her laughter arrives half a second before the joke.”
Ability Scores
Alignment
Distinguishing Features
Bright blue eyes that remain fixed and cheerful even while she delivers an insult.
A left thumb flattened slightly at the tip from decades of pressing dough against wooden boards.
A habit of standing on one heel while waiting, creating the impression that she might suddenly hop onto the counter.
A flour-white crescent permanently embedded in the creases of both palms.
A tiny brass bell sewn inside her apron, which rings whenever she lies about being harmless.
Voice
“A bright contralto with a smoky edge, like a kettle beginning to sing over a banked fire. When truly angry, she drops almost to a whisper.”
Clothing
A russet wool dress under a cream linen apron, striped stockings, soft leather shoes, a patched blue shawl, and a red head cloth knotted behind one ear. Her apron has hidden inner pockets for sugar packets, keys, a little knife, and folded notes.
Body Language
Nani leans forward when listening, rests her knuckles on the counter when making a threat, and keeps one foot angled toward the nearest exit. Her hands are always doing something, kneading a scrap of dough, smoothing her apron, counting coins, or tapping a rhythm against a bowl. In comfort, she invades personal space cheerfully. In fear, she becomes almost motionless.
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