Svala Saizar
Warlock, The Great Old One patron
Svala Saizar
Species
Human
Appearance
Svala still has the poised beauty of someone who was striking in her youth, though age has refined it into something warmer and more formidable. Her face is narrow and kind, with deep smile lines and a small crease between her brows from years of correcting essays. She moves with the economical balance of a dancer who learned to conserve her strength, never hurrying and never quite standing still. Her fingers are usually dusted with chalk despite her immaculate appearance. The contradictory detail everyone notices is that her severe, perfectly maintained clothes are paired with a child's red wool mitten tucked into her belt, too small for her hand and carefully mended many times.
“Her voice is low, clear, and gently breathy, with careful sibilants and a faint northern rhythm. She speaks as though every sentence belongs in a lesson plan, then occasionally drops into startling bluntness when someone is in danger.”
Ability Scores
Alignment
Distinguishing Features
A red child's mitten, repeatedly mended with black thread, hangs from her belt.
Her chalk is always cut into identical hexagonal pieces.
Her left sleeve carries tiny stitched symbols representing the names of former students.
She smells faintly of beeswax, rain-damp wool, and old paper.
When she is startled, her shadow briefly points toward the nearest window rather than matching her body.
Voice
“Soft, precise, and reassuring, with a dry humor that becomes almost musical when she is tired. Her pronunciation gives certain sibilants a faintly northern, breathy quality.”
Clothing
Immaculately clean, practical clothing in charcoal, muted plum, and cream. She wears a high-collared wool dress beneath a fitted schoolmaster's coat, sensible lace-up shoes, a narrow brass watch chain, and gloves with the fingertips removed for writing. Every seam is carefully repaired, but the cuffs are slightly too short because they belonged to her older sister.
Body Language
Her posture is upright but not rigid. She rests one hand lightly on the nearest table or chair as if reassuring the furniture that it is still where it belongs. When someone lies, she adjusts the red mitten at her belt. When preparing magic, she taps her chalk twice against her palm.
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