Barek Slate-Lung
Artificer (Alchemist) 7 / Fighter 2
Barek Slate-Lung
Species
Dwarf
Appearance
Barek is a stocky, heavily built dwarf whose soot-darkened skin has the matte texture of kiln-fired clay. His sharp grey eyes constantly track gauges, exits, ceiling seams, and the breathing rhythm of everyone nearby. Short-cropped iron-grey hair bristles like wire beneath his battered pressure hood, while his thick beard is fire-singed at the tips and tightly folded into a canvas retaining band. His movements are compact and economical, with the abrupt precision of a man forever balancing on a catwalk during an alarm. He leaves behind the smells of hot brass, bitter herbs, wet stone, and burned wool. The unexpected contradiction is his hands: scarred, blunt-fingered, and blackened from machinery, yet gentle enough to repair a child's toy windmill without replacing a single gear.
“A gravelly, compressed voice that sounds like stone dragged across iron. He speaks quickly during emergencies and slowly when delivering bad news.”
Ability Scores
Alignment
Distinguishing Features
A crescent burn scar crosses his left cheek and disappears beneath his beard.
His right ear is fitted with a tiny brass pressure whistle that chirps when nearby air becomes dangerously thin.
The retaining band around his beard is embroidered with the names of miners he failed to save.
His left glove has six stitched fingers, one of them used to grip micro-valves and chemical ampoules.
His spectacles are made from mismatched green and amber glass, giving each eye a different color in lamplight.
Voice
“Low, rasping, and practical, with the constant undertone of a bellows struggling against clogged filters”
Clothing
A scarred flame-retardant leather harness over a charcoal work coat, reinforced canvas trousers, steel-capped boots, a pressure hood, smoke-goggles, filter-masks, emergency oxygen canisters, insulated gloves, and a heavy brass pneumatic wrench strapped to his hip
Body Language
Barek stands squarely, feet planted wide for stability, and angles his body toward the nearest exit. He taps brass fittings when thinking, leans close when someone is speaking honestly, and points with tools rather than fingers. When angry, he becomes unnervingly still except for the slow tightening of his beard band.
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