Lord Groven Stonevein
Noble Mediator
Lord Groven Stonevein
Species
Human
Appearance
Lord Groven Stonevein is a broad, weathered man whose presence suggests a carved monument that has learned to walk. His skin is roughened like river rock, with pale scars crossing his knuckles and a deep crescent scar beneath his left ear. He moves slowly but never hesitates, placing each boot with deliberate care as though testing the ground for hidden faults. His beard is thick, iron-gray, and braided with tiny copper rings engraved with the names of dead miners. Unexpectedly, his hands are exceptionally gentle. He handles frightened children, cracked cups, and injured birds with more care than he shows to priceless relics. He leaves behind the impression of weight, patience, and a dangerous willingness to remain standing after everyone else has fled.
“Low, deliberate, and gravelly, with long pauses that make people feel their words are being weighed. He rarely raises his voice.”
Ability Scores
Alignment
Distinguishing Features
A white banner marked with a black split mountain, carried even when no formal truce exists.
Copper rings in his beard engraved with the names of people killed in the quarry collapse.
A flattened silver button sewn inside his left cuff, taken from his brother's work coat.
A habit of touching nearby stone when making a promise.
A broad scar beneath his left ear that turns dark red when he is under severe stress.
Voice
“A deep, worn baritone that carries without effort. His voice becomes almost tender when speaking names of the dead, and utterly flat when naming a deliberate betrayal.”
Clothing
A soot-stained charcoal coat reinforced with leather at the shoulders, a high-collared linen shirt, heavy traveling trousers, and mud-caked boots. A white banner is fastened to a short ashwood pole across his back. His cloak is lined with patched blankets donated by refugees, each patch bearing a different village stitch pattern.
Body Language
He stands with both feet planted wide, keeps his hands visible, and angles his body between arguing parties rather than facing either one directly. When angry, he becomes perfectly still except for the slow tightening of his fingers around his staff.
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