Sivune Aulakai
Rogue
Sivune Aulakai
Species
Human
Appearance
A young woman with the stillness of someone listening for footsteps beneath the ground. She stands with her weight slightly forward, as if every street is a bridge that might give way. Her skin has been weathered by cold rain, rooftop dust, and long hours beneath open skies, leaving her knuckles dry and faintly reddened while the rest of her face remains almost porcelain-smooth. Her dark hair is cut to her jaw in uneven practical layers, but one long section at the nape has been carefully braided and wrapped with blue thread. Her movements are economical and nearly silent, yet when startled she becomes startlingly graceful, pivoting like a dancer rather than a street runner. The unexpected detail is her hands: ink-stained, callused, and constantly busy, they look more like a clerk's than a thief's.
“Low, clear, and economical. She speaks as though every sentence must fit inside a sealed envelope.”
Ability Scores
Alignment
Distinguishing Features
A blue thread is braided into the hair at her nape and replaced whenever it becomes dirty.
Her coat sleeves are too short, exposing careful blue repairs at both wrists.
Her fingertips are permanently stained with indigo ink and lampblack.
She smells faintly of wet stone, bitter tea, and sealing wax.
She has an unusual habit of standing perfectly still while her eyes continue tracking every moving thing nearby.
Voice
“A soft contralto with a dry rasp at the edges, like paper dragged across stone”
Clothing
A slate-gray courier's coat hangs one size too large, its sleeves shortened with neat blue stitches. Beneath it she wears a high-collared linen shirt, close-fitting trousers, and soft-soled traveling shoes. A faded red sash is wrapped twice around her waist and contains hidden pockets. Her gloves are mismatched, one fine kid leather and one coarse wool, because the former belonged to her missing father.
Body Language
She angles her body toward exits without seeming to look at them. Her hands hover near pockets, seams, and doorframes. When relaxed, she leans against walls with both heels lifted slightly, as if prepared to move.
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