Mina Haddad
Bard
Mina Haddad
Species
Gnome
Appearance
Mina stands fully upright with an almost human balance, long arms, narrow hips, and feet planted as if she is always ready to cross a room for an interesting conversation. Her tan face is broad for a gnome, with a somewhat broad nose, high cheekbones, and a huge open smile that makes her look delighted even when she is worried. Her shocking white hair erupts in stiff, windblown tufts in every direction, each lock seeming to point toward something she has just noticed. Bright amber-brown eyes flick constantly from hands to doorways to neglected objects, rarely resting on a speaker's face for more than a few heartbeats. She moves with quick, economical steps, but when waiting she leans her weight onto one heel and gently sways as if listening to music no one else can hear. The unexpected contradiction is that her exuberant face and restless hair belong to someone who can become utterly still when another person is telling the truth.
“Her voice is clear, quick, and musical without sounding delicate. She carries a slight Levantine and Greek-like cadence in the rhythm of her vowels, especially when excited, but her vocabulary is plain and practical.”
Ability Scores
Alignment
Distinguishing Features
A broad, sun-browned face with a wide, radiant smile and a broad nose that gives her an unusually approachable expression.
Shocking white hair that spikes outward in every direction, as if curiosity itself has stiffened it.
Long, humanlike proportions for a gnome, especially her arms and legs.
A habit of looking first at hands, doorways, and unattended objects instead of faces.
Intricate embroidery on even her most practical clothing, with tiny recurring symbols of open doors.
Voice
“Bright, warm, and slightly breathless, with a rough edge from years of singing outdoors. Her laugh begins as a quiet snort and ends in a full-bodied bark of delight.”
Clothing
She wears a modest clay-brown wool coat over a cream linen blouse, loose russet trousers, and soft leather boots with wrapped ankles. Every plain surface is elaborately decorated with tiny woven borders showing roads, pomegranates, stars, fish, and open doors. A faded blue sash holds her instrument case, and the inside of her cuffs are embroidered with names she refuses to forget.
Body Language
Her shoulders remain open and inviting, but her feet angle toward the nearest exit. When interested, she bends forward from the waist rather than craning her neck. When angry, she stops moving almost entirely and folds her hands over her stomach. She points with her chin, never her finger.
Turn Mina Haddad into a sheet
A high-res, share-ready sheet you can post or print.