Umbarath Vey
Deity
Umbarath Vey
Species
Outsider
Appearance
Umbarath is tall and spare, with the stillness of a sealed tomb and the poise of a priest finishing a sacred duty. His skin is the color of old parchment dusted with soot, smooth except for fine hairline cracks that glow faintly amber when he speaks a closing vow. His hair is black, but at the temples it has turned the silver-gray of burned incense, and it falls in straight, carefully combed strands as though every lock has been assigned a place. One eye is winter-pale and reflective like polished bone, while the other is a deep funeral violet that never quite blinks at the same time as the first. He wears severe layered vestments of ash-blue linen beneath a mantle of matte black feathers, yet the feathers are stitched with tiny bells that never ring. Around his throat hangs a simple cord of corroded bronze with a child's ribbon tied to it, a contradictory tenderness against his otherwise austere presence. He moves in measured half-steps, as if even walking is a ritual that should not be rushed, and the air around him smells faintly of rain on stone, wax, and extinguished candles.
“Measured, low, and formal, with every sentence feeling like a prayer that has been cut to its most necessary shape.”
Ability Scores
Alignment
Distinguishing Features
Hairline cracks of amber light run beneath his skin when he invokes sacred endings
A bronze cord around his throat with a child's ribbon tied to it
Unblinking mismatched eyes, one bone-white and one violet
A faint halo of drifting ash that never settles on his clothes
Voice
“A grave, calm baritone that rarely changes volume, with the cadence of a funeral bell heard across snow”
Clothing
Layered ash-blue funerary robes, a black feathered mantle, bronze clasps shaped like closed eyes, linen gloves with stitched prayer lines, and sandaled feet wrapped in pale burial cloth
Body Language
His hands are usually folded at the wrists, palms inward, as if holding an invisible bowl. When displeased, he tilts his head a fraction rather than frowning. He never gestures broadly unless performing a rite, and then every motion is exact, ceremonial, and minimal.
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